Posts Tagged documentaries
Autocracy will return to Europe not dispatched by colonels atop tanks this time, but by cosmopolitan civil servants, economists and public intellectuals who as likely as not give money to Amnesty International and Medecins Sans Frontieres. Its partisans will be witty and dapper and subscribe to the RSS feed of The Sartorialist. And the passage to post-democracy will be unhurried but throughout, it will be tweetily endorsed and blogged about and the videos explaining why it is necessary will be uploaded to Vimeo, the ‘artisanal’ online video service, not just YouTube.
Currently on rolling release throughout Europe, there’s a slick new documentary, Girlfriend in a Coma, by Italian journalist Annalisa Piras and Bill Emmott, the natty former editor of The Economist, based on his 2012 book, Good Italy, Bad Italy, about the risible state the country finds itself in.
The film charts the decline of the country under the rule of Caligulean Berlusconism over the past two decades, and takes a broadly pro-Monti shock-therapy line. It takes its name from the song by seminal Eighties sensitive indie-boy (and allegedly David Cameron) favourites The Smiths and features the thinking girl’s (or boy’s) piece of crumpet, Benedict ‘Sherlock’ Cumberbatch, as the voice of Dante. It’s high-brow, art-house, but classical-liberal Michael Moore.
(Quite literally art-house, as it happens. The continental premiere in Brussels, which features a Q&A with both filmmakers, will be at the Italian Cultural Institute on Thursday (17th January) and is sponsored by one of the only two picture houses on the continent that shows silent films accompanied by a live pianist, the city’s Cinematek. And its UK premiere in December was at the Institute for Contemporary Arts – the fountainhead of Britain’s arts avant-garde).
The problems with the Montabulous package of austerity and structural-adjustment economics backed by the film’s authors – further public sector cuts, spending limits, flat taxes, privatisation and labour market deregulation – are actually not that interesting to me. They would of course be economically disastrous and unjust, hitting ordinary people hardest, but the filmmakers and other partisans of such liberalising policies are certainly within their rights to their position and to fight their corner.
What is much more worthy of being flagged is how the filmmakers even as they lament the dismantling of democracy under Berlusconi, they fawn over Mario Monti and effectively endorse the undemocratic shenanigans that it took to parachute him into power, as well as the ongoing democratically unorthodox manoeuvres that have been employed to achieve such policies both domestically and across Europe.
What is also striking is how Emmott and Piras have clearly learnt from the mis-packaging of shock therapy elsewhere, dropping the wooden-tongued language of troikas and European Council presidents, and instead talk of a risorgimento, or even rinascimento – a renaissance and transformation of Italian society. The Bunga-bungocracy of Berlusconi naturally has made this sort of discourse so much easier than elsewhere, allowing the filmmakers to focus as much on corruption, patronage, nepotism, tax evasion, defeating the mafia, media monopolies – and, crucially, the denigration of women – as they do on the alleged barriers to ‘success’ constructed by the usual villains: trade unions, the public sector, and ‘overspending’.
And it’s not supposed to be just a film – it bills itself as the “Campaign to Wake Italy Up”. It wants to be a movement, an Italian Spring, aiming to both convince foreigners of its authors’ narrative of events in the country and galvanise the young Italian diaspora – the million or so expatriate Italians outside the country, many of them graduates – into participating in a liberal transformation of the country. Viewers are encouraged to upload their own ideas to the film’s website, while the oven-ready hashtags #wakeitalyup and #italiandiaspora are waiting to go viral (albeit presumably only amongst those bilingual ex-pats).
I imagine it will be embraced by a number of my mates of the Italian disposition and otherwise in the Belgian capital too. A week ago, I wrote a piece entitled the Shepherding of Italian Democracy, critical of unelected technocrat Prime Minister Monti and his cowardice in not presenting himself and his ideas for election. A reader tweeted me, responding to the article and saying: “If Italians in the eurobubble could vote, Monti would easily get 70% of preferences.”
I don’t think everyone feels this way in the eurobubble. I know far too many people in Brussels – true believers in the European project – that are horrified by what Brussels (and Frankfurt and Berlin) is doing.
But there probably is a glint of truth to this figure. And these people are not natural conservatives. These are people who adore Obama and hated Bush. People who support gay marriage – who may even be gay. People who support EU justice commissioner Viviane Reding’s push to get more women in the boardroom.
And they’ll say that they of course support democracy – and think that they mean it. But at the same time, when you really push them, they say that they just don’t trust ordinary people to vote ‘the right way’. They support EU efforts to take fiscal decision-making out of the hands of parliaments, lest voters spend their way to oblivion. After a few drinks, they dismiss ‘most people’ as stupid. A few drinks more and they call them ‘the mob’.
It’s this lack of trust in regular people, this unacknowledged attitude that there is a group of experts who know better than everyone else, this belief that there need to be checks on democracy, that frightens. Girlfriend in a Coma‘s emphasis on the bright, young, hyper-educated Italian diaspora speaks volumes about the filmmakers’ lack of confidence in all other sorts of Italian voters.
The Erasmus-generation fans of this film will be hip. They’re crisply dressed. They like independent cinema and museums and all the right music. They’re friends of mine, and they’re a great laugh and multi-lingual and smart.
And they’re autocrats.
Girlfriend in a Coma website: http://girlfriendinacoma.eu